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Exploring children’s worlds through their stuff

15 March, 2013

Okay, the blog has been inactive for a while but I’d like to try and breathe some new life into it. To kick things off, here is a nice photo essay doing the social media rounds at the moment. The photos, which show children from a range of countries with their most “prized possessions”, their toys, give us an interesting view into their lives through their material worlds.

Cun Zi Yi – Chongqing, China

The project’s author, Italian photographer, Gabriele Galimberti, sees this study as anthropological in nature and he argues that children’s  relationships to their toys can throw light on both universalities and differences in the experience of childhood. For example, children are all the same in that they essentially want to play,

But it’s how they play that seemed to differ from country to country. Galimberti found that children in richer countries were more possessive with their toys and that it took time before they allowed him to play with them (which is what he would do pre-shoot before arranging the toys), whereas in poorer countries he found it much easier to quickly interact, even if there were just two or three toys between them.

The photos are very effective at conveying at a glance all sorts of information about the lives of these kids, including contrasts in living conditions, income levels and the gendering of childhood. There is also something quite intimate about the shots of the kids with their favourite loot which also helps to convey that stuff is never “just stuff” but an integral part of how we make, and are made by, our material worlds.

But as well as intimacy the essay is also testimony to the ubiquity of capitalism. All the kids display stuff that was made in factories, even Chiwa from Malawi, in one of the more poignant images, standing among the mosquito nets in what appears to be a very basic brick hut, showing off a couple of stuffed kitties and a plastic dinosaur. It might seem like an obvious point, but all these kids are making their intimate worlds with objects that begin their lives as mass-produced and anonymous commodities. I wonder if it’s this fact which cause the photos, even those showing kids in relatively affluent contexts, to evoke a certain pathos in me?

Chiwa from Malawi.


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